Search This Blog

Monday, February 28, 2011

La Cages aux Folles : The Birdcage

La Cages aux Folles (the cage of birds) is Jean Poiret play that was made into French movie of the same name in 1978. In 1996, Hollywood decided to remake the movie, titled The Birdcage starring an all star cast of Robin Williams, Nathan Lane, Gene Hackman, Dianne Wiest, Calista Flockhart, Dan Futterman and Hank Azaria.


The story is simple enough. A boy falls in love with a girl, a girl falls in love with a guy, and they decide to get married. And they want their families to get acquainted. Now, here comes the tricky part. The girl Barbra’s father is Senator Keeley, a severe right-wing conservative Senator who heads the "Coalition of Moral Order", an organization dedicated to restore America to family and moral values by openly criticizing gays, Jews, "demoralizing" drag-clubs  etc. among other things. And Val, the boy, comes from a very stable home, consisting of the father Armand Goldman, a flashy, gay owner of drag-club in South Beach, Miami and his lead drag-queen Starina aka Albert, the very insecure yet extremely loving mother.

What follows is a series of confusion and hilarity when Val, very selfishly claims that Albert should not be present during the visit, for the fear of losing the girl, but his “real” mother should. Convincing Albert to leave is an extremely difficult task because he is determined to stay and meet the fiancĂ©e of the boy “she” helped raise and like any other wife, the fear of losing her only family to "the other woman" takes precedent over her son’s selfish demands.


I liked all the characters. They had a weird sense of trueness unlike some movies where you can actually make out the difference between actor and character. But one thing I didn’t like, was the way Val treated Albert. Sure, Albert wasn’t his mother but he is like "a mother", and the communication gap between Albert and Val was terrible. I mean if I say something to my mom, or even insult her in fit of rage or something, I am the one who apologizes; not my dad. Also if I want my mom to do something, I tell it to her myself and not, rely on anyone else to do it, not even my dad. Agreed Val is only 20, but Barbra is 18 and she seems to have more gumption than him, like when she acknowledges that they have been sleeping together for over a year and she has been tested (for AIDS) before her conservative parents.

But one thing that stands out the most, and makes "The Birdcage" one of my favourites is the relation between Albert and Armand. Sure, Albert is whiny and insecure, but "she" is a perfect hostess in and around their club and house. The scene where Armand finally gives Albert the Palimony agreement, no doubt takes the cake. They are an Old Married Couple, together for more than 20 years behind them and have raised a "wonderful" son. So, when Armand finally gives the Palimony agreement to Albert, it's a simple ceremony, just the two of them. No fanfare, no noise - they just sit on a bench together and sign the agreement, where Armand says, "Take it! Take it all! I am fifty years old, there is only one place I call home and that's because you are there. So, what difference does it make if I say you can stay or if you say I can stay? It's ours." And they just sit there, hand-in-hand, sighing and gazing into the middle distance.
Albert and Armand Goldman
It's a great movie if you want to "return to the family values" or enjoy a good laugh on a cloudy day.

Sunday, February 27, 2011

Shannon Brown's Half-a-Man Lyrics from Happy, Texas.


These are Shannon Brown's Half-a-Man Lyrics from Happy, Texas

Cute butt, Sexy eyes,
Tall and dark, I know what I like.
Heart o' Gold, Brain to match
Ain't gonna settle for less than that.

One hundred percent loving,
Baby, it's all or nothing
Half-A-Man ain't enough.

He's wrapped up in a suit,
Ripped up jeans and Cowboy boots
A great fight, a dance-a-thon
Who knows a good time,
When it comes along

One hundred percent loving,
Baby, it's all or nothing
Half-A-Man ain't enough
A girl needs a full-time love

I've been around, I'll you what
Half-A-Man ain't good enough

[bridge]
I know what I want,
A love is all I want.

Half-A-Man ain't enough.

Monday, February 21, 2011

A Modern Look at Disney Classics

Fairy tales have always been a source of fascination and inspiration for film-makers. Walt Disney Animation Studios have been dishing out animated “happy” versions of these tales, for the better part of the century, for the kids. With the movie of Alex Finn’s novel Beastly, which deals with classic tale of Beauty and the Beast, set in modern-day New York, starring Alex Pettyfer, Vanessa Hudgins and Neil Patrick Harris, up for release this summer, I recount the modern day movies that have been “inspired” by age-old stories, made immortal as classic Disney Fairy tales.

Snow White and her Seven Dwarves:
The classic tale of a young girl whose flawless beauty invites the wrath of an evil queen  who banishes her. The girl takes up with seven dwarves who help her defeat the evil witch and live happily ever after.
The Modern Take: Sydney White
Changes for Modern times: The dwarfs are replaced by a rag-tag team of underdogs and the Evil Witch is changed to the Snooty *itch.

Cinderella:
One of the most explored themes in Hollywood, this tale is of a young girl whose father remarries a horrible woman with two daughters, before untimely kicking the bucket. The stepmother and her daughters, then take it upon themselves to harass the poor girl, to the extent of not allowing her to attend the handsome Prince’s Ball. Enter, a Fairy Godmother who helps our heroine to win the heart of her One True Love.
The Modern Take: Cinderella Story, Another Cinderella Story
Changes for Modern times: Not many changes really. The Fairy Godmother is changed to a kindly teacher or an elder family friend. The prince is the usual high school sweetheart – rich, popular, jock etc.

Little Mermaid:
A mermaid, daughter of the King of the Ocean, falls in love with a human sailor, living on the surface. She escapes to the surface with a pair of magically acquired legs, in exchange for her melodious voice, to win the heart of her true love. But he has no love for her; he is in love with another…
The Modern Take: Aquamarine
Changes for Modern times: This is tale of a modern day mermaid who falls in love with a local lifeguard. Though there is not much of a love triangle complication, he would rather be her boy-friend, than “true love”. Enter two friends, who make her understand that true love is need not necessarily be between husband and wife, true love can also exist among friends.
Tangled:
Though  Tangled released just last year, film-makers have been exploiting Rapunzel’s story for quite some time now. The main gist of Rapunzel is the story of a young girl, sheltered from the world by her guardian(s), who escapes her capitivity and sees the world through eyes of a free man, who she also falls in love with.
The Modern Take: Roman Holiday, Dil Hai Ki Manta Nahi (Hindi)
Changes for Modern times: The man who helps the girl always has an ulterior motive. If Rapunzel’s rascal wanted the crown, the modern hero wants fame or fortune. But as usual Love Triumphs.
Aladdin:
A favourite with Bollywood filmmakers, this is a tale of a street urchin who falls for a beautiful princess and tries get-rich-quick schemes to win her heart with dubious, double crossing character. When it fails, he masquerades as a rich prince, only to discover his double-crossing ex-boss is, also, vying for the princess’s hand for selfish reasons. Enter a Genie who explains to him that true love does not depend on riches or clothes, but on what’s inside.
The Modern Take: too Many to count
Changes for Modern times: This is one story that filmmakers absolutely refuse to change. So, the princess becomes a gorgeous girl from a wealthy family while the hero is a poor orphan from the slums. The genie can be anyone from a virtuous teacher to a childhood friend.

Thursday, February 17, 2011

Movies That Help You Forget about your Broken Heart

Valentine's Day, for the most, is a day of love. But this year, the day of love turned into a day of heartbreak when my boyfriend of 3 years broke up with me via text message because "he fell in love". Though I had already seen it coming, it still was like a splash of cold water. At least he should've had the courtesy of calling me, before deleting my number from his address book and asking "Whos ths?" when I wished him.

So after crying for about 3 hrs and endless repetations of Celine's "All By Myself", I collect my thoughts and list the movies that may help to you to forget about your broken heart.

8. Dasvidaniya :

 
This Vinay Pathak movie, is about an extremely ordinary, average clerk, the kind that you pass by without a second glance, who discovers he has only a few months to live. So he sets out with his own bucket list, not big stuff, but doing the things that we,usually, tend to put aside until later. So he tells off his pain-in-the-ass boss, visits an old friend in Russia, meets and falls in love with a Russian Hooker, reconnects with an enstranged brother and learns to play a guitar. There is no sad part, expect maybe the first few minutes as he comes to terms with the changes. A must watch, even if you are not going through a break-up, this movie can sure make you forget about your broken heart.

7. Back to the Future :
One of the best movies about growing up, Back to the Future helps you come to terms with the fact that you can change your future and it's time to take action. Beside's you can always hope, that if time travel is invented, you can go back and change your past, your present and, maybe, even your future.

6. Lagaan :
India is cricket-fanatic country, so it shouldn't be surprise that this movie is on the list. This Oscar nominated movie about a rag-tag team of Indian villagers in the pre-independence era, who take on the might of British Empire, through a game of cricket. A tad too long (main reason it lost the Oscar), this movie with great ensemble, is a treat especially if you want to forget being sad.

5. Any Shaolin Movie (in original Chinese) :
Though not really a fan of Chinese movies, Shaolin Movies are a great way if you want to forget about anything.. mostly because you have no idea what they are saying and you just tend to concentrate on the classic moves. The other alternative is to rent any Rajnikant movie (in Tamil) that has almost the same effect, but Rajni's defiance to all laws of science are a bit too mind-boggling for the first timers or those not well versed in Rajni's style of movies.

4. Star Wars IV - Return of Jedi : 
This one for all the Wars fans out there. There is no better way to cope with a broken heart than watching this movie about Triumph of Good over Evil. The entire trilogy is a classic, but if I were to pick one it would be this one. Beside's Princess Leia in Jabba's slave costume... who needs a girlfriend, eh! For girls like me, Harrison's Han Solo is more than a treat to the eyes, his amazing persona resonates even today.

3. Dabangg :
This biggest top grosser of Hindi Cinema, has all the elements of a classic Bollywood masala flick. There's a  Dabangg (audacious) hero, a strong-willed heroine, a lecharous brother, an estranged father and a caring mother. We also have a sadistic villian, item girl Munni, loads of fighting and a scene where Salman shirt tears by itself. Need I say more.

2. Andaz Apna Apna :
The ultimate laugh riot about two slackers Amar and Prem, both of who want to marry a rich heiress for her money, but end up falling in love with her and her secratory, respectively. But all is not what it seems. Add 3 bubbling villains, a strict father and his evil twin and you have an unforgettable adventure.

One of the best movies that deals with relationships and heartbreaks, the holiday explores relationships for five lovelorn individuals and how they cope with various expressions of love. This is a perfect movie to help move on.

Sunday, February 13, 2011

Casablanca: The Classic Story of Timeless Love

It's Saturday night, and like any other geek, I spent it locked up in my room occasionally studying or watching movies alone. What makes today even special is the Valentine's Weekend. I don't have a date for Valentine, never do, for I think dating is over-rated. Oh, I sure do miss it, but I keep myself amused by watching "Passions".

So, tonight I spent my time watching Casablanca (1942). I first came across Casablanca when I was going through "100 yrs...100 films" AFI list for 100 movies about 3 yrs ago. Since then, Casablanca has remained my most favourite movie till date. The film, beautiful as it is, is according to AFI #1 Passion in their list of 100 passions and #2 Movie in 100 movies, beaten only by Citizen Kane. 'As Times Goes By'#1 song according to the AFI list.

Casablanca is, by my counts, most passionate movie ever. The characters portrayed are so true that its  impossible to fathom that there existed a strenous relation between the two leads; they hardly even spoke. But the one thing that sets it apart from all the movies I like is the Ending.
Who can forget the iconic finale, where Rick tells Elsa to sit in the plane, "We'll Always Have Paris!"
And Louise's reaction when Rick shoots the commander in front of him, "Round up the usual suspects" or
Rick's famous reply, "Louis, I think this is the beginning of a Beautiful friendship."
 

Wednesday, February 9, 2011

A Critical Acclaim

I always wanted to be a critic; I don't know why. I think being a critic, like being a teacher, is a great ego-booster. You get to correct and criticize people without a fear of repurcussion and you actually get paid for it. I mean, "What better job is there?"

I usually read the blog lists on IMDB. Somedays, I even find some things I really like. Today, I across this article A Love Letter to Cinema (http://thedeletedscene.wordpress.com/2011/02/06/a-love-letter-to-cinema/) by Daniel Bergamini, quoting " My biggest fear was that I would stop watching film for the fun of it, and start watching it as education; analyzing the work and ignoring the actual reason I fell in love with film. This is something I see over and over, with film students, buffs and even filmmakers as they lose the passion and gain the expertise. Fortunately my passion for film has not changed, only grown. It is possible this initial fear was largely unfounded. That is not to say that I have not learned anything, nor do I ignore the technical aspects of film. It is such a great shame when someone looses their passion as they watch film completely disconnected, as a way to analyze it more clinically."

And I thought "Hey! That could be me" I mean as a regular film buff, someone who spends more time in movie theatres than in classes and in watching movies than in studying I liked to think myself as more than just a movie goer. But there are certain aspects of filming that can be understood only if you are watching it purely as an 'ordinary money-paying cine-goer'. I mean that is the actual target audience after all.

In words of Anton Ego, from Ratatouille (2007), "In many ways, the work of a critic is easy. We risk very little yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so."

Friday, February 4, 2011

Silas Marner

A few days ago, I came across an opportunity to right an introduction for Silas Marner. I wasn't sure what to write. I mean, what can I write that's not already written? I found my answer, when I was in my English Class today, where our teach(er) was talking about words often confused. When she came to greed/ avarice, she specfically mentioned that Silas Marner was 'Avaricious' for hoarding his gold. That actually hurt me. I wasn't expecting my English teach to be so ignorant.. but I maybe prejudiced.

Silas Marner by George Eliot

Y'see, Silas Marner by George Eliot is my favourite novel. So, when the teach said that Silas was avaracious, I was appalled, not to say, and sad too. It was like she'd completely forgone the jist of the entire novella. Silas Marner is NOT avaracious. Neither is he a miser for that matter.

Silas is simply a man who was conned by his best friend and his fiancee, taking advantage of his Catalepsy and implicating him in murder and stealing, forcing him to leave his home and go away. Even when he came to Raveloe, he wasn't really welcomed with open arms. When he got his first pay, the coins, with their silent existence, actually reminded him of the things he'd lost. They were the only familiar thing in that new place. So like all of us, he too started clinging to the only thing that he really knew. The more coins he got, the closer he felt to his home... until the home became a mere idea, while the coins became a reality. Anyone who has lived in a foreign place for a long time can vouch that. We hoard the things that remind us of home, until that home itself becomes a distant dream.

When his coins were stolen, he went into same kind of shock that anyone who has suddenly lost all the things that he really cared about has lost. Quite like a person, who went out of town for a day returns to find his home destroyed in a flood or an earthquake. That feeling of loss is greater than all, because you just weren't expecting it.

And when Eppie was "brought to him", his greed to hoard the gold was replaced by his greed to hoard her.